How to Create Original Aerial Silks Sequences

True story—I genuinely believed I’d never create an original silks sequence.Why?Because my spatial reasoning felt... non-existent. I couldn't visualize wraps. I couldn’t explain why anything worked. I’d follow my teacher’s cues, perform the sequence, and have no idea how I pulled it off. (Assembling furniture? Also a disaster. So I figured silks theory would be out of reach too.) I assumed that anyone who created original sequences must be some kind of wrap-savvy genius. I’d never be one of them.But then—surprise—I designed my first original sequence. Totally by accident.That moment changed everything (for real - my original sequences formed the foundation of my Aerial Silks Online tutorial library!)

What I’ve learned over years of training aerial silks is that original sequences can certainly happen through mental and theoretical calculations, but it is also possible to create sequences through play, mindfulness, improv, and methodical exploration. In other words, it can be intuited and felt.

That said, there are some key safety considerations and creative tips for getting started with experimenting.

Checklist for designing original aerial silks sequences

Aerial silks involves significant risks, and venturing off into new explorations can heighten risk. It should not be taken lightly. Check this list of my recommendations to see if pursuing original sequence design is appropriate for you:

• You have at least two years of formal aerial training with exposure to a variety of skills (this time frame is subjective and will vary from person to person).

• You are familiar with standard risks presented by aerial silks–falls, tangles, binds, fatigue, soft tissue damage, dislocations, burns, and their permutations.

• You are comfortable spending minutes on end in the air.

• You do not panic if you become tangled, and you know how to visually analyze tangles well enough to get yourself out.

• You feel confident in basic fabric theory, You understand how body position and engagement affect fabric in a variety of scenarios. You know what hitches are and you’re friends with friction. You are familiar with fundamental skills, including technique, risks, and their theoretical interconnections.

• You understand basics of tension, aka you know where you can hold on to fabric to control your position in the air or dictate the behavior of wraps–aka knowing how to lock them in or let them slide, and you know where not to let go if you wish to stay put (note that this is a severe oversimplification).

• You know where your safety points are and when to use them, such as a hand grabbing high when you are trying something uncertain around your lower body.

• You are strong enough to hang for indefinite amounts of time by two hands and can also support yourself with one hand combined with various wraps on your body.

• You know your own limits when it comes to stamina, strength, flexibility, theory, and grip endurance, and you know how to work within these bounds safely.

• If you do not check all these boxes, you should probably not yet be originating new shapes and sequences. 
  

How to create original sequences

Improv and play have led me to most of my original sequences, but I'd like to offer a method as well. If you have enough tail to work on wraps on the floor, that’s one way to increase safety.

1. Start with a wrap you know well.

2. Partway through, interrupt yourself. Look at your wraps.

3. Scan for potential risks and identify your safety points.

4. Do something weird — reach an arm under a leg, pass through a space between the fabrics, do an outside hook, put your tail in an unexpected place, etc.
   

This is more or less how Anna Cicone, LA-based instructor, sequence designer, photographer, and owner of The Aerial House approaches sequence design. She says:

“I start with familiar holds like a leg crochet, footlock, or an eggbeater and try to seek out “new to me” points of tension. I might begin with wrapping a leg in a new way and then building upon it, paying attention to where the tension is coming from and what sorts of shapes I can find within it. The goal is to first detect a new wrap, then an apex point within that wrap, and then the way that the wrap can flow or transition nicely into the next phrase.”

She offers a helpful structure too: something familiar → new thing while paying attention to tension → apex pose → transition out

Generally speaking, it is the interruption of your usual pattern will lead you to something new. Resist muscle memory and find a different pathway. To me, this is a beautiful analogy for how moving or thinking outside our habitual patterns in life can lead to exciting new discoveries. That feeling of discovery can bring us a lot of joy (scientists live for this feeling).

Use theory

More analytical types may like to approach a problem more theoretically. If you know the elements needed to create a belay (hint: you need an X and a loop!), you can probably think up some interesting ways to get there. You can even use yarn to work out some of the theory of your project.

As an example of this tactic, one day I wanted to find a new way into swing seat. I figured out that I needed to get my body between the poles and over my thigh hitch, but without slicing through the center…That led me to several new pathways into swing seat.

Play and Improv

Sometimes you plan ahead and other times you find things by accident. Explorational improv should only be approached by experienced aerialists.

Although it may come as a surprise, you might start to notice possibilities during conditioning. Even though conditioning is usually pretty narrow and repetitive, seeing and feeling the same moves repeatedly while practicing mindfulness can actually help you notice new possibilities (Appalachia Split came about while I was doing a regular old catcher’s descent!). 

I found this split while doing really basic aerial silks warm-up stuff. It has a really weird descent and numerous opportunities for shape play.

I’ve noticed that it’s when I’m really in my sense of touch that I start to notice opportunities I hadn’t recognized before. I start to feel the fabric in more detail and more intimately, and this enhanced mode of consciousness makes new pathways suddenly appear.

The evolution of original sequences

A new sequence may be just the beginning of a journey! You might work on it for weeks, months, or years. You might revisit it later on and realize something else you can do with it. 

I think in most cases there are a handful of variations on any given sequence.

So let’s recap a few of the ways you can approach creating your own aerial silks sequences:

1. Start with a familiar skill and then do something different.

2. Use your knowledge of theory, perhaps using paper and/or yarn or silk on the floor to work out the steps you’re thinking about.

3. Slow, mindful movement with an open mind.

4. Improv & play.  

5. Conditioning with an open mind!
   

Original Sequencing Etiquette

When it comes to posting others’ original sequences, aerialists typically expect you to credit them for their original sequence. Nobody “owns” the art of aerial silks, but when you put a lot of time and effort into creating an original sequence and put it onto an open source platform, you have given a gift to the aerial community. If you include credit when you replicate someone’s original sequence, you enhance the integrity and trust within our aerial community. 

SAFETY: Another important thing to keep in mind when it comes to replicating others’ work is that sequences can carry more nuance then you realize. Without the complete set of cues and cautions from the original creator, you could be putting your safety at risk by attempting them. Plus, you may end up wasting a lot of time on energy trying to figure out the sequence, when you could have just watched the tutorial.

Finally, to address that thought in the back of your mind–how do you even know your amazing creative sequence is an original? Well, you don’t. Just because you’ve never seen it doesn’t mean another aerialist hasn’t also discovered it. But if you came up with it without any guidance, then it’s an original for you, and that’s meaningful on a personal level.

I hope you find this article helpful as you start thinking about creating original silks shapes and sequences! Creative work like this is incredibly fun and exciting, and as you know it also carries risks. Please be safe and always err on the side of caution.